{"id":12112,"date":"2024-01-17T18:07:32","date_gmt":"2024-01-17T17:07:32","guid":{"rendered":"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/?page_id=12112"},"modified":"2024-01-31T18:57:45","modified_gmt":"2024-01-31T17:57:45","slug":"bfi-event","status":"publish","type":"page","link":"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/index.php\/bfi-event\/","title":{"rendered":"Exploring Cinema Memory"},"content":{"rendered":"<p><a href=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2024\/01\/BFIEventFlyer_v1.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-12156\" src=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2024\/01\/BFI_Flyer_v1.jpg\" alt=\"\" width=\"200\" height=\"290\" srcset=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2024\/01\/BFI_Flyer_v1.jpg 533w, https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2024\/01\/BFI_Flyer_v1-207x300.jpg 207w, https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2024\/01\/BFI_Flyer_v1-262x380.jpg 262w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><strong>British Cinemagoing from the 1930s to the present<\/strong><\/p>\n<blockquote>\n<p style=\"text-align: left;\">Friday 1st March 2024, 6-8:30pm<br \/>\n<span style=\"text-align: left;\">BFI Southbank &#8216;Blue Room&#8217;<\/span><\/p>\n<\/blockquote>\n<p>An evening of reflections, presentations and discussions of the cinemagoing experience, with a focus on memories of \u2018going to the pictures\u2019 in Britain during the 1930s.<\/p>\n<p style=\"font-size: 15px;\"><em>This is a <strong>FREE EVENT,<\/strong> but you need to <a href=\"https:\/\/www.eventbrite.com\/e\/exploring-cinema-memory-tickets-808249956377?aff=oddtdtcreator\"><strong>register here<\/strong><\/a> on Eventbrite.<\/em><\/p>\n<hr \/>\n<h5>Programme<\/h5>\n<p><span style=\"text-decoration: underline;\">6:00pm<\/span> <strong><em>Introduction <\/em><\/strong> followed by:<\/p>\n<ul>\n<li>Annette Kuhn on <strong>Cinema Culture in 1930s Britain<\/strong><\/li>\n<li>Richard Rushton on <strong>The Cinema Memory Website, with a focus on interviews with cinemagoers from the London suburb of Harrow<\/strong><\/li>\n<li>Andrew Quick on<strong> \u2018Seeing in the Dark\u2019 by imitating the dog theatre company<\/strong><\/li>\n<li>Dalila Missero on <strong>Cinema Memory, Belonging and the Immigrant Experience in the 1930s<\/strong><\/li>\n<\/ul>\n<p><strong><em>&#8212; Intermission &#8212;<\/em><\/strong><\/p>\n<p style=\"text-decoration: underline;\">7:30pm<\/p>\n<ul>\n<li><strong><em>Cinematic Organisms<\/em><\/strong><strong><em>: Memories and Memorialisation<\/em><\/strong><strong>, <\/strong>a Videographic Essay by Catherine Grant<\/li>\n<li><strong><em>Thomas McGoran<\/em><\/strong><strong>, <\/strong>a Film by Marissa Keating<\/li>\n<\/ul>\n<hr \/>\n<p><a href=\"https:\/\/www.lancaster.ac.uk\/cmda\/\"> <i class=\"fas fa-external-link-square-alt\" style=\"font-size: 16px;\"> <\/i> The Cinema Memory website<\/a><br \/>\n<a href=\"https:\/\/www.imitatingthedog.co.uk\/project\/seeing-in-the-dark\/\" target=\"_blank\" rel=\"noopener\"> <i class=\"fas fa-external-link-square-alt\" style=\"font-size: 16px;\"> <\/i> The \u2018Seeing in the Dark\u2019 viewing boxes<\/a><br \/>\n<a href=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2024\/01\/BFIEventFlyer_v1.pdf\"> <i class=\"fas fa-file-pdf\" style=\"font-size: 16px;\"> <\/i> BFI Event Flyer<\/a><\/p>\n<hr \/>\n<p><strong>The Organisers<\/strong><\/p>\n<div id=\"attachment_544\" style=\"width: 160px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/Annette-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-544\" class=\" wp-image-544\" style=\"border-radius: 10%;\" src=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/Annette-1.jpg\" alt=\"\" width=\"150\" height=\"195\" srcset=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/Annette-1.jpg 750w, https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/Annette-1-230x300.jpg 230w, https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/Annette-1-291x380.jpg 291w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><p id=\"caption-attachment-544\" class=\"wp-caption-text\">Photo by Jon Brooks<\/p><\/div>\n<p><strong>Annette Kuhn<\/strong> is an author, cultural historian and educator. She is Emeritus Professor in Film Studies at Queen Mary University of London, was Director of \u2018Cinema Culture in 1930s Britain\u2019 and is Co-Investigator of \u2018Cinema Memory and the Digital Archive\u2019<em>.<\/em>\u00a0\u00a0She writes on film history, on object-relations psychoanalysis and film theory, and on cultural memory in relation to photography and cinema. Publications include <em>An Everyday Magic: Cinema and Cultural Memory <\/em>(2002); <em>Family Secrets: Acts of Memory and Imagination <\/em>(2002); <em>Locating Memory: Photographic Acts <\/em>(2006, co-edited with Kirsten Emiko McAllister); and <em>Exploring Cinema Memory <\/em>(2023). She is co-author, with Guy Westwell, of the <em>Oxford Dictionary of Film Studies<\/em>, (2nd\u00a0ed\u00a02020).<\/p>\n<p><strong><a href=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/richard.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-547 alignright\" style=\"border-radius: 10%;\" src=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/richard.jpg\" alt=\"\" width=\"149\" height=\"192\" \/><\/a><br \/>\nRichard Rushton<\/strong> in Professor in Film Studies at ¶¶Òõ̽̽App, UK, and is Principal Investigator of the \u2018Cinema Memory and the Digital Archive\u2019 project, funded by the AHRC. He is author of several books, including <em>Modern European Cinema and Love<\/em> (Manchester University Press, 2023), <em>Deleuze and Lola Mont<\/em><em>\u00e8<\/em><em>s<\/em> (Bloomsbury, 2021), and <em>The Politics of Hollywood Cinema<\/em> (Palgrave, 2013).<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_574\" style=\"width: 161px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/sarah.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-574\" class=\" wp-image-574\" style=\"border-radius: 10%;\" src=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/sarah.jpeg\" alt=\"\" width=\"151\" height=\"131\" srcset=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/sarah.jpeg 1282w, https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/sarah-300x261.jpeg 300w, https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/sarah-1024x890.jpeg 1024w, https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/sarah-768x667.jpeg 768w, https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2020\/01\/sarah-437x380.jpeg 437w\" sizes=\"auto, (max-width: 151px) 100vw, 151px\" \/><\/a><p id=\"caption-attachment-574\" class=\"wp-caption-text\">Photo by Marissa Keating<\/p><\/div>\n<p><strong>Sarah Neely<\/strong>\u00a0is a writer, producer and researcher, working primarily in the areas of artists&#8217; moving image and film archives. She is a Professor in Film and Visual Culture at the University of Glasgow.\u00a0\u00a0 Book publications include <em>Between Categories: The Films of Margaret Tait \u2013 Portraits, Poetry, Sound and Place <\/em>(Peter Lang, 2016), <em>Margaret Tait: Personae <\/em>(as editor) (LUX, 2020), <em>Margaret Tait: Poems, Stories and Writings<\/em>\u00a0(as editor) (Carcanet, 2012), and <em>Reel to Rattling Reel: Stories and Poems About Memories of Cinema-Going<\/em>\u00a0(as editor) (Cranachan, 2018). She is a co-investigator of the \u2018Cinema Memory and the Digital Archive\u2019 project.<\/p>\n<p><strong><a href=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2024\/01\/Dalilia-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12120 alignright\" style=\"border-radius: 10%;\" src=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2024\/01\/Dalilia-1.jpg\" alt=\"\" width=\"150\" height=\"151\" srcset=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2024\/01\/Dalilia-1.jpg 167w, https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2024\/01\/Dalilia-1-150x150.jpg 150w, https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/wp-content\/uploads\/2024\/01\/Dalilia-1-90x90.jpg 90w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>Dalila Missero<\/strong>\u00a0is Lecturer in Film Studies at ¶¶Òõ̽̽App, where she teaches Cinema History. Her research interests include feminist cinema history, audience studies, popular and transnational cinema. In 2022, she published her first monograph <em>Women, Feminism and Italian Cinema. Archives from a Film Culture<\/em> for Edinburgh University Press.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>British Cinemagoing from the 1930s to the present Friday 1st March 2024, 6-8:30pm BFI Southbank &#8216;Blue Room&#8217; An evening of reflections, presentations and discussions of the cinemagoing experience, with a focus on memories of \u2018going to the pictures\u2019 in Britain during the 1930s. This is a FREE EVENT, but you need to register here on &hellip; <a href=\"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/index.php\/bfi-event\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Exploring Cinema Memory<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width-page.php","meta":{"footnotes":""},"class_list":["post-12112","page","type-page","status-publish","hentry","without-featured-image"],"_links":{"self":[{"href":"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/index.php\/wp-json\/wp\/v2\/pages\/12112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/index.php\/wp-json\/wp\/v2\/comments?post=12112"}],"version-history":[{"count":46,"href":"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/index.php\/wp-json\/wp\/v2\/pages\/12112\/revisions"}],"predecessor-version":[{"id":12116,"href":"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/index.php\/wp-json\/wp\/v2\/pages\/12112\/revisions\/12116"}],"wp:attachment":[{"href":"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/index.php\/wp-json\/wp\/v2\/media?parent=12112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}